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[NEW] Sunlight 2x FF Anamorphic Zoom Series

The Sunlight Series delivers the sought-after anamorphic look to a wider audience while maintaining professional-grade quality.

Clear Flare
Blue Flare
Silver Flare
Amber Flare
L Mount
Nikon Z
Sony E
PL
Canon RF
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Versatile Zoom Range


Spanning a versatile 40mm to 135mm, the Laowa Sunlight Series empowers filmmakers to adapt to a vast range of creative needs. With a over 3x zoom range combined, these lenses effortlessly transition from capturing breathtaking wide landscapes to framing intimate close-up portraits. This unprecedented flexibility eliminates the need for frequent lens swaps, streamlining workflows on set and allowing filmmakers to focus on capturing the perfect moment.


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Parfocal Design


The Laowa Sunlight Series features a carefully calibrated parfocal design, guaranteeing that focus remains consistent throughout the entire zoom range. This crucial feature enables filmmakers to execute dynamic shots with confidence, from impactful crash-zooms to gliding dolly zooms, without the interruption of refocusing. This empowers filmmakers to enhance their creative storytelling and captivate their audience.

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Maximum T4.5 Aperture


SUNLIGHT Zoom features a maximum aperture of T4.5, providing excellent low-light performance and depth of field control, allowing you to shoot with high image quality even in dimly-lit environments.


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Constant 2X Squeeze


Achieving a consistent, classic widescreen look is effortless with the Sunlight Series' constant 2x squeeze. This ensures that the distinct anamorphic character is maintained across the entire focal range, eliminating unwanted distortions and providing filmmakers with a reliably cinematic image, every time.


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Dreamy Oval Bokeh


The Laowa Sunlight Series elevates cinematic artistry with its captivating oval bokeh, a hallmark of true anamorphic lenses. Enhanced by the precise 2x squeeze ratio and meticulous optical design, this distinctive bokeh effect renders out-of-focus highlights into elongated, elliptical forms, creating a dreamy, organic depth that draws viewers into the heart of the scene. This immersive quality adds a touch of magic, transforming ordinary shots into visually stunning experiences.


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Charming Clear Flare


In addition to blue, amber, and silver glare versions, a new clear flare is also included.


Even with strong point light sources, there's no noticeable glare, resulting in a cleaner, more elegant image.

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Extremely Close Focusing Distance


The Laowa Sunlight Series invites viewers into the heart of the story with exceptional close-focus capabilities. With a minimum focusing distance of just 0.61m (40-80mm) or 0.78m (70-135mm), these lenses empower filmmakers to capture sharp, immersive close-up shots with remarkable detail. This capability enhances storytelling in tight or intimate setups, allowing audiences to connect with the characters and emotions on a deeper level.


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Why Choose Anamorphic and Not Spherical Lenses?


Because it is cinematic! Everything you shoot can now be cinematic with a golden aspect widescreen ratio of 2.4:1. The expanded field of view also reveals additional details and information about the scene. 


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Professional Cine Housing



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Various Mounts Available


Each lens comes with a native PL mount, and for added convenience, we also offer interchangeable mounts for Canon RF, Sony E, Nikon Z and L mount. 


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Specifications

Name Sunlight 2X FF Anamorphic Zoom Series
Format FF
Focal Length 40-80mm / 70-135mm
Aperture Range T4.5 –T22
Angle Of View 71.5°×33.4°~39.6°×17.1° / 44.7°×19.5°~24.1°×10.2°
Lens Structure 23 elements in 15 groups / 22 elements in 14 groups
Aperture Blades 10
Focus Throw 305° / 302°
Distance Scale Metric & Imperial (Dual Scale)
Aperture Throw 32.7°
Zoom Throw 100°
Squeeze Ratio 2X
Flange Distance PL=52mm
Geer Mod 0.8 Mod
Min. focusing Distance 0.61m (2ft ) / 0.78m (2ft7in)
Focus Type Manual (MF)
Filter Thread Ø95mm
Front Diameter Ø105mm
Dimensions ~Ø110.4mm*242mm
Weight ~2.8kg / ~2.6kg
Flare Color Amber / Silver / Blue/ Clear
Mounts Arri PL (Optional: Sony E, Canon RF, Nikon Z, L mount)

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