Close Focusing Distance

The close focusing distance of Nanomorph gives photographers more choices to capture close-up shots with much shallower depth of field.

Blue, Amber & Sliver Flare Options

Blue - to create scientific and cool vibe

Amber - to create warm and welcoming vibe, suitable for narrative shots.

Sliver - the color of the flare depends on the color the light source.

© Keaton Bowlby

© Rawspektiv

©ALEXLAY MEDIA

Constant 1.5X Squeeze Ratio

With a 1.5X squeeze ratio, you will have a 2.66:1 on a 16:9 sensor after desqueeze. Comparing to the 1.33X anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic and cinematic look. Moreover, the constant squeeze ratio at all focusing distance is beneficial to avoid ananmorphic mumps. 

Spherical lens vs Anamorphic lens

Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses.

Five Focal Lengths

Super 35+ Coverage

Nanomorph is one of the few tiny anamorphic widescreen lenses on the market, covering S35 sensor.

© Laik Knows - 65mm T2.4 1.5X （silver）

Compact & Lightweight

Nanomorph lens weighs less than 0.7 lbs (320g) and is only 3.54" (9cm) long. It can be mounted on various devices to shoot, such as gimbals, helmets, drones, etc., which was unaccessible before.

                           Compatible with DJI Ronin 4D                                                                                        On a POV helmet

                                   Handheld with no stabilization                                                                          On a FPV Drone

Mounts

Mirrorless mounts: X/R/E/DL/L/Z/M43;

SLR mounts: PL (interchangeable EF bayonet).

A special case is included in the package.

Take You into the World of Anamorphic Lenses!

 The Nanomorph lens is affordable, lightweight, and versatile, allowing you to experience the fascinating world of anamorphic widescreen movie lenses. Now you can shoot Hollywood-level films and start a unique film journey.

© Kristoffer Davidson - 65mm T2.4 1.5X (silver）

© James Matthews - 80mm T2.4 1.5X (silver）

The anamorphic blocks are put behind the spherical elements and the focusing groups. These two groups compress the image, and hence the smaller anamorphic blocks can be used, which makes the lens tinier. Moreover, the image is formed and focused before the anamorphic blocks which maintains a constant squeeze ratio no matter if the focus changes.